Marguerite Hohenberg & Medard Klein:

The Guggenheim Years


August 14th - September 13th, 2015

Marguerite Hohenberg and Medard Klein were two visionary early 20th Century abstractionists, each of whom were committed to Chicago as their adopted hometown even as they achieved success exhibiting in museums like the Guggenheim in New York City. Hohenberg arrived in Chicago as a young Austrian immigrant at the turn of the century, later attending the University of Chicago and the Chicago Academy of Fine Arts. Klein moved from Appleton, Wisconsin in 1926 as a twenty-one-year-old determined to become an artist. However, both Hohenberg and Klein’s commitment to abstraction and its ideals extended far beyond their Chicago community.

In the 1940s, Hohenberg and Klein exhibited frequently at the new Museum of Non-Objective Painting in New York City. Hohenberg showed there at least three times from 1941-1946, and Klein exhibited at the Museum between 1943-1950 on at least seven separate occasions. This experimental and exceedingly influential exhibition space aimed to bring abstract art to the attention of an American audience. As the initial director and curator Hilla Rebay wrote, these paintings were meant to “elevate into the cosmic beyond...They help one to forget earth and its troubles as most people do when they are looking up into the vastness of the star lit sky.” The Museum of Non-Objective Painting would later expand its collection, commission an innovative spiral-shaped building by Frank Lloyd Wright, and take on the name of its founder, becoming what is now known as the Solomon R. Guggenheim Museum.

Hohenberg and Klein’s association with the Museum of Non-Objective Painting, which also exhibited the work of European artists like Wassily Kandinsky, László Moholy-Nagy, Fernand Leger, Josef Albers, and Pablo Picasso, contributed to their continued artistic development and professional success during the 1940s and 1950s. Hohenberg would receive a prestigious Guggenheim Fellowship, exhibit at the Art Institute of Chicago, and open her own gallery on Oak Street in Chicago. Klein began showing his work at major museums across the country, including the Brooklyn Museum and the San Francisco Museum of Modern Art, in addition to participating in influential exhibitions like “Abstract and Surrealist American Art” at the Art Institute of Chicago in 1947.

While the Guggenheim Museum today exhibits a much wider spectrum of Modern and Contemporary art than in the 1940s, its origin as the Museum of Non-Objective Painting exerted a strong influence on the trajectory of American art. Hohenberg and Klein were dedicated contributors to these early exhibitions, committed to their simultaneous roles as Chicago artists and as champions of an evolving American abstract art.

1) Hilla Rebay's quotation is from "Non-Objectivity is the Realm of the Spirit," 1945, as cited in “The Museum of Non-Objective Painting: American Abstract Art,” (New York: Snyder Fine Art, 1996).

  • Hohenberg 7743 ur

    Marguerite Hohenberg
    American, 1883 - 1972
    Completion (Chronological #213), 1943
    Gouache on paper
    21 1/2 x 21 inches

    Signed with monogram lower left; signed, stamped, titled and dated on reverse.

    #7743
    SOLD
  • Hohenberg 7745 ur

    Marguerite Hohenberg
    American, 1883 - 1972
    Chronological #255, ca. 1945
    Gouache on paper
    21 x 21 inches

    Signed with monogram center left; titled on mat.

    #7745
  • Hohenberg 7740

    Marguerite Hohenberg
    American, 1883 - 1972
    Chronological #110, 1936
    Gouache on paper
    18 x 12 inches

    Signed with monogram upper left; titled and dated on reverse.

    #7740
  • Hohenberg 7741

    Marguerite Hohenberg
    American, 1883 - 1972
    Chronological #145B, 1936
    Gouache on paper
    18 x 12 inches

    Signed with monogram upper left; signed, titled and dated on reverse.

    #7741
  • Klein 7818

    Medard Klein
    American, 1905 - 2002
    Untitled (Black and White), 1942
    Gouache on paper
    20 x 25 inches

    Signed and dated Klein ‘42 lower right.

    #7818
  • Klein 7747

    Medard Klein
    American, 1905 - 2002
    Lithograph #27, ca. 1945
    Lithograph on paper
    10 x 14 inches

    Signed and titled in pencil; signed and titled on label on reverse (Edition, 8/12).

    #7747
  • Klein 7789

    Medard Klein
    American, 1905 - 2002
    Silverpoint Drawing #11, 1948
    Silverpoint and burnished gold leaf on paper
    10 x 13 inches

    Signed and dated Klein ‘48 lower right; titled on reverse.

    #7789
  • Klein 7767

    Medard Klein
    American, 1905 - 2002
    Lithograph #14, 1945
    Lithograph on paper
    15 1/2 x 12 inches

    Signed, titled, dated and numbered in pencil

    #7767
  • Klein 7782

    Medard Klein
    American, 1905 - 2002
    Lumiprint, ca. 1945
    Ink on acetate
    9 3/4 x 12 1/2 inches
    #7782
  • Klein 7780

    Medard Klein
    American, 1905 - 2002
    Lumiprint, ca. 1945
    Ink on Acetate
    9 3/4 x 12 1/2 inches
    #7780
  • 2348 klein 2348

    Medard Klein
    American, 1905 - 2002
    Drawing #42, 1945
    Graphite on paper
    9 x 12 inches

    Signed and dated Klein ‘45 lower right; titled on reverse.

    #2348
  • 2351 klein 2351

    Medard Klein
    American, 1905 - 2002
    Drawing #45, 1945
    Graphite on paper
    9 x 12 inches

    Signed and dated Klein '45 lower left; titled on reverse.

    #2351
  • Klein 7802

    Medard Klein
    American, 1905 - 2002
    Untitled (Abstraction), ca. 1945
    Ink and graphite on paper
    8 1/2 x 11 inches
    #7802
  • Klein 7816

    Medard Klein
    American, 1905 - 2002
    Drawing #7, 1944
    Ink and graphite on vellum paper
    12 x 17 3/4 inches

    Signed and dated lower right: Klein ‘44; titled and numbered on reverse

    #7816
  • Klein 7817

    Medard Klein
    American, 1905 - 2002
    Drawing #21, 1945
    Ink and graphite on vellum paper
    9 3/4 x 15 inches

    Signed and dated Klein ‘45 lower right; titled and numbered on reverse.

    #7817

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